310. SNOWFLAKE_CHALLENGE #10 AND #11.
Doing the unthinkable for me and combining two challenges since I purposefully stalled on Challenge 10 because I was tossing up on what to do.
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![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
snowflake_challenge #10: In your own space, create a fanwork.Â
My first fill for myhc_bingo card and another fill for ![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
slippery_fish's weekly music prompt:
to the devil that i love in you
the vampire diaries | katherine/klaus; mature; 1,520 words
During captivity, Katherine and Klaus reminisce about their relationship in England during the 1400s. Even after five hundred years, one of them remains in denial about their shared truth.
I love rare pairs and I love fucked up rare pairs. Bring on the toxicity! (Bring on writing for myself! Guys! I wrote for myself!)
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snowflake_challenge #11: In your own space, Talk about your favorite trope, cliché, kink, motif, or theme.
I really like ambiguous/open endings and I like not reading or writing love declarations that say "I love you". Sometimes I feel like these two go hand in hand for me.
I mean this in the sense that a story follows a certain plot or problem, and by the end of the story, that specific problem is solved. If I follow two people getting together, I want to see them together at the end. In this scenario, what I love about the two people getting together at the end is the story ending on a note of "They're together, they're happy, but what comes next is left up in the air".
I'm not the biggest fan of declarations of love as I prefer it being shown rather than told to me as a reader. I feel like this is often seen as being ambiguous as a lot of stories I read and watch have a love declaration that ties up the "getting together" nice and neatly. But what I love most about a getting together story is that they work through the hurdles that keep them apart and get together in the end, and it's not all rainbows and butterflies. They still haven't gone on a date. They haven't moved in together yet. They're not in a place emotionally to say "I love you". I like the ambiguous endings because I feel like they're more realistic. (I classify people not saying "I love you" as open because, well… I've grown up with love stories that conclude with "I love you" and that's it with no real promise of anything further. The story ends here. The "I love you" is the neatly tied bow.)
(That said, I do like it when "I love you" is featured in a story, but one person says it and the other person denies it. I love it when that declaration brings on more problems than solutions, and introduces yet another hurdle for two people to work toward. I guess in that vein, I really like trust issues and insecurities flaring up.)
And even outside of this example, I just prefer open endings because I feel like it gives the impression that the story I read exists in a bigger story itself. Not everything is hunky dory in real life, and while I know we escape to fiction to get away from real life, I really like having that impression of "More can happen and will happen". The story isn't over yet, but this thread of it is.
I recently reread one of my favourite book series (Six of Crows) and I really like how it ended on an open ending. The main plot thread that spanned two books is concluded, but the characters' endings are open and offer promise of further stories and movement. I find this more fulfilling than anything else, really. I have my closure, I'm satisfied, but I'm not left with what I feel is unrealistic which is a neatly tied bow at the end of it. I like my bows wonky.
I have no idea if that even makes sense, but it's often a driving force for me as a writer. As I've mostly engaged with fanworks in exchanges, the gifts I receive that have open endings (with the plot thread coming to a nice closure-giving end) are the ones that I really love the most. I like my open endings because I feel like they offer a closure that promises that the characters' journey doesn't end with the story. The plot thread I took you on does.
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snowflake_challenge #10: In your own space, create a fanwork. My first fill for my
hc_bingo card and another fill for slippery_fish's weekly music prompt:to the devil that i love in you
the vampire diaries | katherine/klaus; mature; 1,520 words
During captivity, Katherine and Klaus reminisce about their relationship in England during the 1400s. Even after five hundred years, one of them remains in denial about their shared truth.
I love rare pairs and I love fucked up rare pairs. Bring on the toxicity! (Bring on writing for myself! Guys! I wrote for myself!)
*
snowflake_challenge #11: In your own space, Talk about your favorite trope, cliché, kink, motif, or theme.I really like ambiguous/open endings and I like not reading or writing love declarations that say "I love you". Sometimes I feel like these two go hand in hand for me.
I mean this in the sense that a story follows a certain plot or problem, and by the end of the story, that specific problem is solved. If I follow two people getting together, I want to see them together at the end. In this scenario, what I love about the two people getting together at the end is the story ending on a note of "They're together, they're happy, but what comes next is left up in the air".
I'm not the biggest fan of declarations of love as I prefer it being shown rather than told to me as a reader. I feel like this is often seen as being ambiguous as a lot of stories I read and watch have a love declaration that ties up the "getting together" nice and neatly. But what I love most about a getting together story is that they work through the hurdles that keep them apart and get together in the end, and it's not all rainbows and butterflies. They still haven't gone on a date. They haven't moved in together yet. They're not in a place emotionally to say "I love you". I like the ambiguous endings because I feel like they're more realistic. (I classify people not saying "I love you" as open because, well… I've grown up with love stories that conclude with "I love you" and that's it with no real promise of anything further. The story ends here. The "I love you" is the neatly tied bow.)
(That said, I do like it when "I love you" is featured in a story, but one person says it and the other person denies it. I love it when that declaration brings on more problems than solutions, and introduces yet another hurdle for two people to work toward. I guess in that vein, I really like trust issues and insecurities flaring up.)
And even outside of this example, I just prefer open endings because I feel like it gives the impression that the story I read exists in a bigger story itself. Not everything is hunky dory in real life, and while I know we escape to fiction to get away from real life, I really like having that impression of "More can happen and will happen". The story isn't over yet, but this thread of it is.
I recently reread one of my favourite book series (Six of Crows) and I really like how it ended on an open ending. The main plot thread that spanned two books is concluded, but the characters' endings are open and offer promise of further stories and movement. I find this more fulfilling than anything else, really. I have my closure, I'm satisfied, but I'm not left with what I feel is unrealistic which is a neatly tied bow at the end of it. I like my bows wonky.
I have no idea if that even makes sense, but it's often a driving force for me as a writer. As I've mostly engaged with fanworks in exchanges, the gifts I receive that have open endings (with the plot thread coming to a nice closure-giving end) are the ones that I really love the most. I like my open endings because I feel like they offer a closure that promises that the characters' journey doesn't end with the story. The plot thread I took you on does.